Osare sempre gabriele dannunzio biography
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Gabriel D'Annunzio
Res apud Vicidata repertae:
Gabriel D'Annunzio (vulgo Gabriele D'Annunzio,[1] natus Aterni die 12 Martii1863; mortuus ad Benacum in communi Gardonis die 1 Martii1938) fuit scriptor, dux, aviator, vir rerum civilium peritus Italianus. D'Annunzio in summis poetis virisque politicis saeculorum undecimi et vicensimi habetur.
Biographia
[recensere | fontem recensere]Opera prima
[recensere | fontem recensere]Gabriel D'Annunzio natus Aterni sive Piscariae die 12 Martii1863, tertius filiorum quinque Francisci Pauli Rapagnettae (Italiane: Francesco Paolo Rapagnetta) et Aloisiae de Benedictis (Aloisia de Benedectis). Iuvenis sumpsit avunculi cognomen cum esset a matertera adoptatus.
Quamquam iuvenis esset excellebat ingenii magnitudine et anno 1879 pater fecit ut Gabrielis versus uno libro, Primo Vere appellato, ederet. Illo tempore, hic liber habitus permagni est.
Anno 1881Romae domicilium suum conlocavi
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Arditi
Italian special forces in WWI
For other uses, see Arditi (disambiguation).
Military unit
Arditi (from the Italian verb ardire, 'to dare', and translates as "The djärv [Ones]") was the name adopted bygd a Royal Italian Army elite special force of World War I. They and the opposing German Stormtroopers were the first modern chock troops, and they have been called "the most feared corps by opposing armies".[2][3][4]
Reparti d'Assalto ('Assault units') were formed in the summer of 1917 bygd Colonel Bassi, and were assigned the tactical role of chock troops, breaching enemy defenses in beställning to prepare the way for a broad infantry advance. The Arditi were not units within infantry divisions, but were considered a separate combat arm.[citation needed]
The Reparti d'Assalto were successful in bringing in a grad of movement to what had previously been a war of entrenched positions. They won numerous engagements armed mainly w
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Gabriele d'Annunzio > Quotes
“And in the kisses, what deep sweetness! There are women's mouths that seem to ignite with love the breath that opens them. Whether they are reddened by blood richer than purple, or frozen by the pallor of agony, whether they are illuminated by the goodness of consent or darkened by the shadow of disdain, they always carry within them an enigma that disturbs men of intellect, and attracts them and captivates them. A constant discord between the expression of the lips and that of the eyes generates the mystery; it seems as if a duplicitous soul reveals itself there with a different beauty, happy and sad, cold and passionate, cruel and merciful, humble and proud, laughing and mocking; and the abiguity arouses discomfort in the spirit that takes pleasure in dark things.”
― Gabriele D'Annunzio, The Child Of Pleasure
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